• Beatle Song Profiles

    <span itemprop="name">The White Album</span>

     

     

     

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  • The White Album

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    In his 2013 book, The Beatles and McLuhan: Understanding the Electric Age, Thomas MacFarlane claims that although Sgt. Pepper tends to get most of the mainstream praise, it is the White Album that continues to inspire younger generations of musicians with its sprawling song sequence, its carefree approach to genre and style, and its blatant disregard for popular musical conventions.

    “One cannot play Sgt. Pepper without thinking of its era, Revolver is almost brutally professional and Abbey Road is as sweet and generic as Starbucks coffee. But the White Album stands alone. Of all the Beatles’ astonishing records, it’s the only one that transcends its ‘Beatleness,’ the only one that would be superb if it had been recorded by any other greatest rock and pop band of all time.”

    John Lennon commented on what he thought of the White Album:

    I think it’s the best music we’ve made. We came out of our shell in a new way, kind of saying remember what it was like to play. But as a Beatles thing, as a whole, it doesn’t work.

    McCartney responded:

    “The fact that there was so much variety on it made it great. We felt it was time to step back because that is what we wanted to do. You can still make good music without going forward. Some people want us to go on until we vanish up our own B-sides.”

    Ringo said:

    “I loved the White Album. It felt like I was playing in a band again.”

    George remarked that while there was a lot of friction when they were recording the album, there were many positive sides to how it turned out.

    “We always tried to make things different. Things were always different, anyway, in just a matter of months we’d changed in so many ways there was no chance of a new record ever being like the previous one. After Sgt Pepper on the White Album felt like a band recording together. There were a lot of tracks where we just played live, and then there a lot of tracks that we’d recorded and that would need finishing together. There was a lot more individual stuff and, for the first time, people were accepting that it we were four individuals.” 

     

    Back in the USSR

    “Back in the USSR” was based on Chuck Berry’s “Back in the USA.” However in Berry’s song he sings about how happy he is when he returns to the US. McCartney reversed it and makes the singer happy he’s back in the USSR.

    The song’s origins are from a meeting between Mike Love from the Beach Boys and McCartney during their 1968 India retreat. Love suggested that The Beatles incorporate a little bit of a Beach Boy sound in a song as they did in “California Girls.” He did and changed “California Girls” to “Moscow Girls” and added the definitive Beach Boy “Oooeeeeoooo” in the background harmonies.

    McCartney hated the “American Dream” sugary lyrics the Beach Boys used so he came up with the lyric “leaving the West behind.” The line “Georgia’s always on my mind” in a play on the Ray Charles song “Georgia On My Mind. “It has a double meaning, since Georgia was part of the U.S.S.R. then. This song was banned from many radio stations upon the release of the White Album as many people thought it promoted communism.

    In his autobiography, McCartney commented on the track:

    “In my mind it’s just about a (Russian) spy who’s been in America for a long time and he’s become very American but when he gets back to the USSR he’s saying, ‘Leave it ‘til tomorrow to unpack my case, Honey, disconnect the phone.’ and all that, but to Russian women. ‘It is someone who hasn’t got a lot but they all still every bit as proud as an American would be. It’s tongue-in-cheek. He can’t wait to get back to the Georgian mountains because Georgia’s always on my mind’ there is all sorts of little jokes in it.”

    Loaded up with a barrel of fresh energy,Back in the USSR” is considered The Beatles’ last great up-tempo rockers they would record. It demonstrates the best type of parody: one that sublimely lampoons its target while working as that type of song in its own right.

    After McCartney criticized Ringo’s drumming on the session, Ringo walked out of the studio. While Paul then played the drums on the track he lacked Ringo’s “mannerism” and “feel and soul.” Both Lennon and Harrison have a crack at playing bass.

    David Quantick writes:

    “It could have been a rotten comedy song, a weak parody tune, but McCartney- cocky, confident, and able to do almost anything musically, made it into something amazing. His sense of humor- a quality that is always underrated in pop and rock, in which suicidal determination and hard-faced romanticism are more popular than the ability to find things ridiculous- kicked in at this point to make the song’s gripping twist.”
     

     

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